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Turkish literature, the body of written works in the Turkish language.The Orhon inscriptions represent some of the earliest extant writing in Turkish.

By the early 16th century, this style of poetry, generally known as (“divine”), was practiced by such sheikh-poets as İbrahim Gülşeni and his son Gülşenîzâde Hayali as well as Muslihiddin Merkez, Muhiddin Uftade, Seyyid Seyfullah Nizamoğlu, and Aziz Mahmud Hüdâyî.

The growth during the 16th and 17th centuries of this type of poetry, which was intended to be sung in the I was seeking a cure for my trouble; My trouble became my cure.

Ziya Paşa (died 1880), the translator of Jean-Jacques Rousseau’s…

), which has survived in two 16th-century manuscripts. At least one of the tales was already circulating in written form in the early 14th century, and Central Asian sources suggest that the shaman-bard Korkut and his tales date from the 9th and 10th centuries.

The 15th century saw a split between heterodox Sufi tendencies, as seen in the verse of Kaygusuz Abdal, and the orthodox Sufism of Eşrefoğlu Rumi.

Like Yunus Emre, Eşrefoğlu wrote verse in which the Sufi poet functions as a charismatic and sacred figure who writes poetry in order to communicate his sacerdotal authority to his disciples.

Both manuscripts known at the turn of the 21st century were discovered in Europe, the larger one in Germany in the early 19th century.

Yet Turkish interest in the emerged nearly a century after significant German and Russian work.

I was seeking a proof for my origin; My origin became my proof.

I was looking to the right and the left So that I could see the face of the Beloved.

In the 20th century major studies of the text were undertaken in Turkey, Russia, and Azerbaijan as well as in Europe. In its formal qualities his poetry is closely related to folk verse, and he generally treats lyrical themes without the mystical subtext that was common in courtly verse of the period. The great 17th-century poet Nâʾilî was the first to include such songs in his divan (collected works), a practice that reached its culmination in the following century with Ahmed Nedim.

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