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On April 10th, 2008, The Office topped itself with its best half-hour ever – and perhaps the best comedy episode of the decade.

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I guess he grew up in an unhappy home, and there’s this scene where his parents are fighting about Shaun—his dad either doesn’t understand or is apathetic to his autism. I’m not saying needs to rid itself of the dramatics, but at least once—for the sake of unpredictability—can we see something like an appendectomy that goes according to plan?

Shaun would probably be the Best Doctor if he just didn’t go near anyone ever. As the credits begin to roll on Episode 2, I wonder: Who the hell is watching this? Apparently not: The operation is a success and the liver survives. He doesn’t say anything, but his silence is telling. Through four episodes, I don’t think a single surgery hasn’t experienced a dramatic setback. Also, I think Shaun—an autistic man—can understand sarcasm now?

Would I dare miss another episode of the most watched show on television?

As the first season of NBC’s The Office drew to a close in the spring of 2005, the show was on life support.

A line would happen and the audience, along with the people at the dinner, would just kind of sit there and let it hang.

And so the rhythms of this episode are slightly different.The man applies pressure to his neck to stop the bleeding, and that’s when we get Shaun’s first line of dialogue: “You’re killing him.” Care to explain, Good Doctor? Apparently kids and adults have different pressure points with the arteries in their neck, so Shaun steps in and does things correctly. Because, without the visions, Shaun wouldn’t have been able to save the kid by using a box cutter (how he attained one in an airport is a bit of a long story) and a bottle of Jack Daniels. This is when—for the first of what will be many times—I ask: What’s happening? Going into its fourth season, The Office had strong ratings and serious momentum, despite a looming writers’ strike that would eventually shut down most of Hollywood (including a good chunk of that season of The Office).But no one could have quite predicted how great the season’s 13th episode was.Greg Daniels (executive producer/co-creator): In the very beginning, the episode was called “Virginia Woolf” in my notes, and the idea was to have Jim and Pam have this super-uncomfortable night seeing all the awkwardness of Michael and Jan’s relationship and watching it melt down in front of them, in a comedy version of the Albee play.

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