Dating marriage and family during the renaissance

In fact, history shows that Lucrezia only truly exercised power after she had entered into a happy marriage with Alfonso d'Este, who allowed her to participate to a great extent in the politics and society of Ferarra.Thus Lucrezia Borgia's life may be looked on as demonstrative of the situation of women in the Renaissance, in that even the illusion of power which surrounded her inhere early years was created by a man, her father, who controlled her life, and the small measure of actual power which she was eventually granted grew out of her traditional position as a devoted wife and mother.However, upon historical review, it becomes quite clear that Lucrezia was not in control of her life so much as she was a pawn in Alexander VI's master plan for the success and wealth of the Borgia family.

dating marriage and family during the renaissance-73

She frequently gave public performances, in which she demonstrated her skill at singing, dancing, and playing musical instruments.

In 1490 she was married to Francesco Gonzaga, the duke of Mantua, and the pair shared a happy and loving relationship.

Isabella exerted a great amount of influence over the Mantua court, and it was due in great part to her presence that Mantua became known as a major center of wit, elegance, and artistic genius.

After her husband, the duke, was captured in battle, she ruled Mantua herself.

The women of the Renaissance, like women of the Middle Ages, were denied all political rights and considered legally subject to their husbands.

Women of all classes were expected to perform, first and foremost, the duties of housewife.

Women who did not marry for whatever reason were likewise granted no independence of thought and action, living under subjugation in the home of a male relative or in a convent, where a woman could become a nun, the only career accessible to the gender.

Women were frequently discouraged from participating in the arts and sciences, and thus the world will never know the full literary and artistic potential of an age in which the spirit of expression was perhaps the defining characteristic.

In 1502, at the age of 22, Lucrezia was again divorced and remarried, this time to the duke of Ferrara, Alfonso d'Este.

She remained in Ferrara until her death in 1519, where she became a devoted wife and mother, an influence in Ferrara politics and social life, and a noted patron of the arts.

Peasant women worked in the field alongside their husbands and ran the home.

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