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And, as an aside, why, why, why use a version of "Stylo" that edits out Mos Def's first appearance?

He bookends the song so well that it seems incomplete without him showing up at the beginning as well as the end. People who hear and enjoy Gorillaz on the radio aren't necessarily ready to accept them as the most cutting sort of satire.

Also ignored: Anything at all from The Fall, since despite the title's claim of "2001-2011, it seems we're all just going to pretend The Fall never happened.

Their first EP 'Tomorrow Comes Today' was released in 2000 and, following a clever marketing campaign, had positive reviews among the London underground scene. In 2007, Gorillaz planned to begin a holographic world tour, and played a holographic set at the 2006 Grammy Awards.

However, it was with the release of their single 'Clint Eastwood' in 2001 that the band received international acclaim, and their self-titled album reached number three in the UK and number 17 in the US Album Charts, selling more than seven million copies worldwide. The tour was eventually called off however, due to budgeting issues.

On the radio, they are a cartoon, a band whose sound matches the largely appealing, colorful personas offered by the band's videos and cover art.

Even Gorillaz fans would be lying if they said they wouldn't enjoy the tracklist as is.

Tracklist-wise, it may as well have been constructed by Wikipedia, its tracklist conforming almost exactly to the list of singles, in order, listed on the Gorillaz discography wiki page.

Even little-known singles such as "Doncamatic" and "El Mañana" are here, as they are indeed singles that were released by the band at some point; after all, if only the singles that ended up radio hits were on the album, it would be a very short album.

Mostly, it's a loping beat, disconnected vocals, and an overall feeling of discontent -- a combination that meshes well with the feeling a listener gets when listening to a full Gorillaz album.

When the singles that have come from Gorillaz' albums are songs like "Clint Eastwood", "Feel Good, Inc.", "19-2000" and "Superfast Jellyfish", it almost makes sense that they're a "cartoon band" -- technicolor and slapstick make sense -- so it's nice to see the satire and discontent that inspired the Albarn and Hewlett in the first place lead off the album. Maybe it's understandable that "Lil' Dub Chefin", the Spacemonkeyz' take on the debut album's "M1A1", didn't make it, because it's not strictly a Gorillaz song.

Still, it is in the inconsistencies that most of the head-scratching happens, so let's go ahead and take a look at the tracklist of The Singles Collection 2001-2011 next to the Wikipedia version of Gorillaz' singles history.

The first obvious change is actually a good one: Rather than stick "Clint Eastwood" at the front of the disc, which would be the easy thing to do given that it was most peoples' introduction to the band.

The Singles Collection 2001-2011 is a mis-named, lazy compilation that neither offers a complete picture of Gorillaz as a (cartoon) band, nor makes the sorts of choices that will endear it to its audience rather than alienate it from that audience.

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